Trap, 2020

Gypsum cement, wood, clamp, night lite, wire, beads (acrylic painted on wood by Liz Ainslie); 22 x 24 x 12 inches

Trap, 2020

Gypsum cement, wood, wire, beads, sequins, metal, can tab; 21 x 22 x 13.5 inches

Pattern for Living, 2017

acyrlic paint, paper, push pins, lumber; 37 x 31 x 1.5 inches

Pattern for Living, 2016

acrylic paint, wood, stickers, push pins; 42″ x 58″ x 7″

Pattern for Living, 2017

acrylic paint, paper, push pins, lumber; 53 x 49 x 1.5 inches

Pattern for Living, 2015

acrylic paint, paper, lumber, Hydrocal, pigment, push pins; 61 x 55 x 26 inches overall

Pattern for Living, 2015

Painted paper (installed on floor); 46″ x 32″

Yellow and Grey Sculpture on Wood, 2011

Hydrocal, burlap, wire mesh, latex paint and wood; 42″ x 27″ x 8″

Red Sculpture with Wood, 2012

Hydrocal, burlap, wire mesh, enamel paint, wood; 50 x 18.5 x 11 inches

Fuchsia Sculpture with Wood, 2010

Hydrocal, wire mesh, wood, repurposed latex paint; 49″ x 25″ x 7.5″; Private Collection

Black and Yellow Leaning Sculpture, 2010

Hydrocal, wire mesh, wood, latex paint; 51″ x 24″ x 7″

Green Sculpture with Painting, 2011

Hydrocal, wire mesh, wood, repurposed latex paint, oil on canvas, 52″ x 23″ x 9″ (sculpture), 8″ x 6″ (painting)

Green Plaid Sculpture, 2008

Hydrocal, wood, hardware, latex paint; 26” x 26” x 5”

Painted Shapes on Wood, 2009

Hydrocal, wood, hardward, latex paint; Private Collection

Hanging Sculpture with Striped Painting, 2009

Hydrocal, wood, hardware, latex paint, oil on canvas; 38” x 36” x 4”

Odds ‘n Ends (2), 2012

Hydrocal, pigment, wood; 27 x 6.5 x 5 inches

Odds ‘n Ends, 2012

Installation view at Regina Rex; Mixed Media, dimensions variable

Black and White Objects, 2011

Hydrocal, burlap, wire mesh, spray paint; 8.5″ x 30″ x 9.5″ (overall installation)